Motetus V - Wolfgang Rihm – ChorWerk Ruhr, Ensemble Modern, Rupert Huber (2) - Vigilia (CD, Album)

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Download Motetus V - Wolfgang Rihm – ChorWerk Ruhr, Ensemble Modern, Rupert Huber (2) - Vigilia (CD, Album)
2010
Label: NEOS - NEOS 10817 • Format: CD SACD, Multichannel, Album • Country: Germany • Genre: Classical • Style: Contemporary


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8 thoughts on “ Motetus V - Wolfgang Rihm – ChorWerk Ruhr, Ensemble Modern, Rupert Huber (2) - Vigilia (CD, Album) ”

  1. Apr 01,  · German composer Wolfgang Rihm is undeniably a modernist, but his music is unpredictably eclectic, and a work like Vigilia (), for mixed voices and chamber ensemble, is emotionally transparent enough that it could be used effectively in a liturgical setting. Lasting an hour, it alternates seven instrumental sections ("Sonatas") with seven motets, some a cappella and some 8/
  2. Wolfgang Rihm, Rupert Huber, Ensemble Modern, ChorWerk Ruhr - Rihm: Vigilia for six voices & ensemble - coogilesubpzincprud.phrasexunprobheydorripalelubgoldle.co Music.
  3. WOLFGANG RIHM (): Vigilia para seís voces y conjunto () / ChorWerk Ruhr. Ensemble Modern. Rupert Huber, director.
  4. Wolfgang Rihm; Radio‐Sinfonieorchester Stuttgart des SWR, Jonathan Stockhammer, Gianluigi Gelmetti, SWR Vokalensemble Stuttgart, Marcus Creed, Rupert Huber 2 Vigilia.
  5. Descriptif de l'album. German composer Wolfgang Rihm is undeniably a modernist, but his music is unpredictably eclectic, and a work like Vigilia (), for mixed voices and chamber ensemble, is emotionally transparent enough that it could be used effectively in a liturgical setting.
  6. WOLFGANG RIHM: Klavierstücke 1, 2, 4, 5, 7. Catalogue No.: KAI. EAN Code: Artist(s): Bernhard Wambach. Composer(s): Wolfgang Rihm paladino media paladino store paladino music Orlando Records Austrian Gramophone paladino editions ensemble paladino paladino blog Focal Dystonia. New. Previous Pause Next. JAIME REIS.
  7. May 15,  · Wolfgang Rihm's Quartettstudie for string quartet explores the ways in which the four instruments can work in duos and as soloists without threatening the unity of the quartet as a group.

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